Mezzo Soprano Jessica Walker is a graduate of the Guildhall School of Music and Drama. 2015/16 projects include Mercy and Grand - the Tom Waits project at the Adelaide Festival with Gavin Bryars, Unborn in America, by Luke Styles and Peter Cant, at The Vaults Festival, further performances of Pat Kirkwood is Angry at the St James Theatre Studio, her new play currently in development with The Royal Exchange Theatre, Manchester, and the singer in Caryl Churchill's The Skriker with RET and MIF. 2013/14 stage roles included Gwendolen in Gerald Barry's The Importance of Being Earnest (NI Opera), Nurse/ Harriet in Sunday in the Park with George (Theatre du Chatelet), Gloria, A Pig Tale, by HK Gruber with The Opera Group. Other recent roles include Gloria in Weill's One Touch of Venus (Opera North), The Little Arab in Martinu's Julietta (Opera North at the Ravenna Festival), Gigi in School for Lovers (Glyndebourne and Finnish National Opera), Peep Bo in The Mikado ( Nationale Reis Opera, Holland), Ninfa in Monteverdi's Orfeo (Opera North), Tamiri in Mozart's Il Re Pastore (Musiektheater Transparant), Messenger and Proserpina in Orfeo (The Opera Group), and Cherubino in Le Nozze di Figaro (Stanley Hall).
Since 2010 she has been touring The Girl I Left Behind Me, a solo piece devised by her and director Neil Bartlett, and commissioned by Opera North projects, to great critical acclaim. Performances have included a week's residency at the Barbican Pit, the Purcell Room, Howard Assembly Rooms, Sage Gateshead, Brighton Theatre Royal, Aldeburgh Festival, Coutts Arts Festival, the Frome Festival, Buxton Festival, Lowry Salford Quays and Norfolk and Norwich Festival. The piece enjoyed a 3 week sell-out run at the 2013 festival at the 59E59 theatre New York, was recently published as a play script by Oberon Press, and was released in 2014 as a CD on the Original Cast Recordings label.
In May and June 2013 Her cabaret opera - An Eye for an Eye - written with composer David Knotts, premiered at both the Bath and St Magnus music festivals, to critical acclaim.
Other recent projects have included Nerone in The Coronation of Poppea at the Kings Head, in a new version translated and directed by Mark Ravenhill, with jazz arrangements by Alex Silverman, a revival of Mercy and Grand at St George's Hall, Bristol and the Spitalfields Winter Festival, and the title role of Ziggy in Unborn in America, by Luke Styles and Peter Cant at the Tete a Tete festival, ROH2's Exposure and the Soho Theatre.
As a performer/ deviser, Jessica recently completed a major collaboration - OPENCOV - between Opera North, Leeds University, Bregenz Festival and the Shanghai Theatre Academy, exploring links and differences between Chinese and Western operatic traditions, and culminating in workshop performances in Shanghai, Bregenz and Leeds.
In 2009 Jessica began her PhD studies at Leeds University, with the support of a bursary from the School of PCI. Her practice-led research is looking at 'The Singer as Creator and Co-collaborator: a performer-led model for new music theatre works.' She has given papers at two International Song, Stage and Screen conferences; in Winchester in 2010 - 'Can opera director and performer ever be equals in the creative process?', and in Kansas City in 2011 - 'The opera singer as creator and co-collaborator.' In March 2012 she gave a workshop presentation at the Reflective Conservatoire Conference at the Guildhall School of Music and Drama, and in April she gave papers at the Leeds University conference, The Theory, Practice and Business of Opera Today, and at the Psi Performance and Philosophy working group conference. Her article, 'The Girl I Left Behind Me: the disjunction between vocal and visual performance in male impersonation', appears in the Intellect journal, Studies in Musical Theatre, Vol 6:1.